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The modern landscape of Latin entertainment is shifting, moving away from the rigid archetypes of the past toward a more fluid, dynamic kind of stardom, and standing firmly at the center of this evolution is Emmanuel Palomares. There is a specific energy that surrounds the Venezuelan-Mexican actor these days, the kind of quiet confidence that comes not just from viral fame, but from the steady accumulation of critical respect and an undeniable connection with audiences across the globe. Originated from Valera, Venezuela, Palomares has traversed a long road to reach the metaphorical summit of the industry, a journey defined by a bold migration and a relentless commitment to his craft. His story reads like a script written for the very screens he now dominates, beginning with a teenage leap of faith into acting at age eighteen before making the life-altering decision to move to Mexico in 2013. It was there, within the hallowed halls of Televisa’s prestigious Center for Arts Education (CEA), that he refined his raw talent into a professional instrument, emerging as a standout graduate selected by industry heavyweights. This wasn't just about learning lines; it was about mastering a new cultural language, a dedication that has allowed him to build a résumé that defies easy categorization, spanning melodramatic television, high-stakes reality competition, intimate theater, and historical cinema. What separates Palomares from his peers is a chameleon-like versatility that has seen him navigate the complex moral gray areas of television with ease. He has become a fixture in high-profile productions, delivering memorable performances in Corazón que Miente and the dark thriller Mujeres de Negro, before cementing his status as a household name in the "Vencer" franchise. His work in Vencer el Miedo and Vencer el Desamor showcased a range that few actors possess, balancing charisma with vulnerability, while his roles in Tierras Salvajes and Perdona Nuestros Pecados proved he could carry the weight of a traditional leading man. This extensive body of work has not gone unnoticed by the critics, earning him nominations for the industry's most coveted accolades, including the TVyNovelas Awards and Premios Juventud. The acclaim reached a fever pitch recently when his portrayal in the global hit Las hijas de la señora García resonated deeply with international viewers, a performance that culminated in him taking home the prestigious Premios PRODU award. It was a validation of his ability to evolve with the times, a skill further demonstrated by his leap into the streaming revolution with Los hilos del pasado on the ViX platform. Yet, Palomares refuses to be confined to the small screen; his artistic hunger led him to the theater stage in El Cartero, where he held his own against veteran giants, and to the cinema in the Ecuadorian production Camino a la Libertad, where he inhabited the skin of the independence hero León de Febres Cordero. As he looks toward the horizon, the stakes are higher and the canvas is broader. Palomares is currently preparing for what may be his most ambitious project yet, stepping into the rugged boots of the protagonist in Los Hermanos Corajes. Filmed largely against the striking backdrop of Arizona, this western-style drama marks a significant expansion of his footprint, bridging the gap between Latin America and the US market. It is the move of an actor who is no longer just participating in the industry but actively shaping it. With a track record of award-winning performances and a future that looks increasingly cinematic, Emmanuel Palomares is not just rising; he has arrived, solidifying his place as one of the most respected and promising talents of his generation. Follow his journey on Instagram and IMDb .

Photographer: Frank Louis, Stylist: Kristopher Fraser, Makeup Artist: Alyssa Pizzano, Top and Pants: TwinkbyTwink Markos Papadatos interviewed Brandon Cole Bailey — model, artist, influencer and content creator — about his New Year’s resolutions, goals and plans for 2026. What motivates you each day as an actor, model and content creator? What motivates me is knowing that my work can make people feel seen. Whether that’s through a performance, an image, or something honest I share online. I’m driven by growth, by becoming better than I was yesterday, and by creating art that actually connects instead of just existing. I’ve put fifteen years into this, and I’m still hungry. Not for fame, but for impact, truth, and longevity. Any New Year’s resolution for 2026? My resolution is alignment with my body, my purpose, my peace, and my standards. I’m saying no faster, protecting my energy, and saying yes only to things that feel expansive, intentional, and worthy of my time. Photographer: Frank Louis, Stylist: Kristopher Fraser, Makeup Artist: Alyssa Pizzano, Top: TwinkbyTwink What are your current projects that you are working on? The biggest project right now is the production of my new podcast. Also, I’m focused on acting opportunities, brand partnerships that actually reflect who I am, and content that feels elevated, real, and intentional. What do your plans for the future include? I see myself expanding into more meaningful roles, bigger platforms, and spaces where storytelling, wellness, and impact intersect. I want longevity in this industry not just moments and I’m building a life and career that supports that. The ultimate goal is having a recurring role in a series or the host of a TV show. Photographer: Frank Louis, Stylist: Kristopher Fraser, Makeup Artist: Alyssa Pizzano, Coat: Hiromi Asai Were there any moments in your life or career that have helped define you? Honestly, the moments when things didn’t happen — when doors closed, when I felt overlooked — shaped me just as much as the wins. They forced me to develop resilience, self-belief, and discipline. Those seasons taught me that success isn’t about timing — it’s about consistency and self-trust. How does it feel to be a part of the digital age? It’s powerful. The digital age gives artists direct access to their audience without gatekeepers, and I love that. It allows for authenticity, connection, and storytelling in real time — which feels especially meaningful to me. I believe that being real as a notable person or artist is the best way to help others relate and connect and feel like they are not alone. Photographer: Frank Louis, Stylist: Kristopher Fraser, Makeup Artist: Alyssa Pizzano, Coat and Pants: Hiromi Asai, Necklace: Erickson Beamon  How do you use technology in your daily routine? I use technology to stay connected, creative, and informed — whether that’s producing content, collaborating with brands, auditioning, or learning. But I’m also intentional about unplugging because clarity and creativity lives offline too. What is the greatest lesson that being an influencer has taught you? That influence is responsibility. People feel your energy before they hear your words. So I lead with honesty, intention, and integrity. Because authenticity always outlasts trends. What is your advice for young and emerging artists, models and influencers? Don’t chase validation — chase growth. Protect your individuality, stay disciplined, and understand that consistency beats talent when talent stops showing up. And most importantly, don’t let anyone rush your timeline. Because it is your uniqueness that makes you special. Photographer: Frank Louis, Stylist: Kristopher Fraser, Makeup Artist: Alyssa Pizzano, Top: TwinkbyTwink What would you like to say to your fans and followers? Thank you, truly. For supporting me, believing in me, and growing with me. None of this happens in isolation, and I never take that for granted. Is there anything else you would like to say or add that we did not cover? Just that I’m proud of how far I’ve come. Not just professionally, but personally. I’m committed to evolving, healing, and creating work that feels honest and expansive. The best chapters are still ahead. To learn more about Brandon Cole Bailey, follow him on  Instagram  and  TikTok .

Leonardo DiCaprio stars in One Battle After Another | Warner Bros. The 98th Academy Awards aren't about "prestige" in the traditional sense anymore; they are about a massive realignment of what the Academy values. Between the historic 16-nomination record set by Sinners  and the utter collapse of the Wicked  sequel, this year’s race has moved past the era of predictable campaigning. We’ve looked at the data from the Golden Globes, the Critics Choice, and the major guild alignments to identify exactly where the momentum has landed before the March 15 ceremony. Here are our Oscars Predictions: Best Picture:  One Battle After Another  Best Director: Paul Thomas Anderson (One Battle After Another)  Best Actor: Timothée Chalamet (Marty Supreme)  Best Actress: Jessie Buckley (Hamnet)  Best Supporting Actor: Stellan Skarsgård (Sentimental Value)  Best Supporting Actress: Teyana Taylor (One Battle After Another)  Best Original Screenplay:  Sinners (Ryan Coogler)  Best Adapted Screenplay: One Battle After Another (Paul Thomas Anderson)  Best Animated Feature:  KPop Demon Hunters  Best International Feature: Sentimental Value (Norway)  Best Documentary Feature: The Perfect Neighbor  Best Cinematography: Sinners (Autumn Durald Arkapaw)  Best Film Editing: One Battle After Another (Andy Jurgensen)  Best Production Design:  Frankenstein  Best Costume Design: Frankenstein  Best Makeup and Hairstyling:  Frankenstein  Best Original Score:  Sinners (Ludwig Göransson)  Best Original Song:  "Golden" from KPop Demon Hunters  Best Sound:  F1  Best Visual Effects:  Avatar: Fire and Ash  Best Casting: Sinners (Francine Maisler)  Best Animated Short: Butterfly  Best Documentary Short:  All the Empty Rooms  Best Live Action Short: Butcher's Stain  HHM extends warm congratulations to all the Academy Award nominees.

Photography: Alex Dolan Markos Papadatos sat down and interviewed Joe Germanotta, Lady Gaga's father, at Joanne Trattoria in the Upper West Side. He shared his New Year's resolutions for 2026 and future goals with Second Wind Media and Joanne Trattoria. Byron Pulsifer once said: “Imagine, dream, and believe in yourself. With determination and belief, you will be surprised at what you accomplish.” This quote applies to Joe Germanotta. New Year's resolutions for 2026 On his New Year’s resolutions for 2026, Germanotta shared, “To keep sober. I focus on prayer to keep me going and meditation. I go to church every day. I get up early at 6:30 a.m. every morning and I get my coffee and I sit in church and I hear a story. That's the way I listen to it.” On the title of the current chapter of his life, Germanotta revealed, “No Secrets!” “Everything is an uphill battle,” he explained. Photography: Nina Wurtzel Germanotta on the success of both of his daughters He shared that he is proud of his daughter, Natali, on the success of her fashion businesses, which include On Stage Essentials and Natali Alexander, as well as Stefani's (Lady Gaga's) success with her "Mayhem" album, tour, and sold-out Madison Square Garden shows. “I am so proud of both of my daughters. They have taken after our footsteps,” he exclaimed. “My wife is very, very successful with the Born this Way Foundation. Stefani is obviously successful, and now Natali has really kicked into gear with On Stage Essentials and Natali Alexander.” “Natali sold out of the scarves,” he exclaimed. From left to right: Alex Dolan, Natali Germanotta Dolan, Joe Germanotta, Gabby Gabriel. Photography: PhotosbyAlex Germanotta on what he envisioned the high school version of himself doing at this stage of his life When asked what he envisioned the high school version of himself doing at this stage of his life, Germanotta responded, “I couldn’t wait to start studying in college and going after my vision and my career. I went to school for Hotel Restaurant Management, and I ended up studying a lot of Computer Science, Business Law, and Marketing, but not a lot of cooking.” “There were cooking labs, where it was more scientific about the chemistry of foods but after that, I couldn't wait to get to work. The first company I worked for was a public accounting firm in the hotel restaurant space and I worked on feasibility studies for hotels and restaurants, and back one of the feasibility studies I worked on was the Grand Hyatt with Donald Trump," Germanotta elaborated. Photography: Nina Wurtzel Superpowers of choice His superpowers of choice would be flight and invisibility. “I would love to fly since that would help me get around much faster, or I would be invisible. That would be great,” he admitted. Second Wind Media Germanotta is thrilled with the success of  Second Wind Media , his social media, advertising, and marketing company. “It is going spectacular,” he exclaimed. “When Gabby Gabriel first approached me to do it, she wanted to initially help me with my social media and rebranding. She was doing that gratis. Then, she asked me if I would consider working with her and starting a business, so we founded Second Wind Media, and we are almost equal partners. She is more of a partner than I am because she does most of the work.” “I told her that I think there is a really good business model here for social media,” he noted. “Social media takes a lot of time, and everybody is doing it. When you are in the performance space, it’s an absolute 100 percent necessity. It can gobble up a lot of time.” From left to right: Cynthia Germanotta, Natali Germanotta, Art Smith, Joe Germanotta. Photography: Hígor Almeida. “If you are a singer-songwriter, why would you want to spend your time doing social media when you could be singing,” he indicated. “We let the singer-songwriters sing, write songs and perform, and they let us do their social media for them.” “We have five artists clients, an influencer, and a cannabis company (Cannatella). Now, we are picking up two clients out in Las Vegas. So, Second Wind Media has been growing quite exponentially. Gabby is a genius at what she does,” he elaborated. “Now, we are getting ready to do the relaunch of Joanne Trattoria, which will be just before Valentine’s Day,” Germanotta added. From left to right: Joe Germanotta, Natali Germanotta and Cynthia Germanotta. Photography: PhotosbyAlex Success Germanotta defined the word success as “surviving.” “The business environment in the years prior to 2023 was horrible. Business really slowed down. Now, with the economy starting to pick back up again, people have disposable income.” “I believe that with the policies that are coming down the pike with the tariffs, the ‘no tax on tips,’ the no tax on Social Security, I believe that everybody is going to get a gigantic refund. This year, they changed the laws, but they didn’t change the whole taxes.” “So, there is going to be a lot of disposable income this year,” Germanotta said. “The week before Valentine's Day, people always find money for love.” To learn more about Joe Germanotta, follow him on  Instagram . For more information on Joanne Trattoria, follow its  Instagram page .

Photography by Crystal Smiley Markos Papadatos interviewed Mikey Chadwick about his latest distinction and accolade (winning Mister USA). Mikey Chadwick of West Virginia has a major reason to celebrate. He became the second person to ever win Mister USA, and the first Filipino to earn this title. The 2025 Mister USA finals, hosted by Daryn Alexander and Jamie Renée Smith (“The Nanny”), took place on August 30th at  The Montalban Theater  in Hollywood, and  Loews Hollywood Hotel  served as the host hotel; both venues made the experience extra special for all parties involved. Mister USA  is an American beauty pageant, which is held each year, and the winner goes on to represent the United States in the Mister Universe competition. It is a celebration of culture, diversity, beauty, intelligence and empowerment. They believe in the power of young leaders to make a difference in the world. It is not solely about outer beauty; it recognizes the inner beauty and intelligence of their contestants. Chadwick triumphed over 27 noteworthy finalists from all across America and he won the prestigious title of Mister Universe USA. As a result, Chadwick will go on to represent the United States at the 2025 Mister Universe finals, which will take place in Hollywood later on this year. The subsequent international titles went to the following: Shane O’Brien of Virginia finished in second place (as Mr. World USA), Dr. Evan Schrader of North Carolina finished in third place (as Mr. International USA), Hayden Greene of Ohio finished in fourth place as Mister Earth USA, Adrian Quiroz of California was named Mr. Caballero Universal (in fifth place), and last but not least, Tyler Mata of Colorado, finished in sixth place and was named Mister Grand International. Mikey also took home the specialty award of “Mr. Congeniality.” Particularly impressive about Mikey is that he is a summa cum laude graduate from San Jose State University with a Bachelor’s degree in Kinesiology (specializing in Sports Management and a minor in Business). Mikey just moved to New York City to pursue acting and modeling. He also excelled as a Division 1 track and field and cross country athlete. The Mister Universe social media page subsequently welcomed Mikey into its family, and rightfully so. “We are absolutely thrilled to have you on board and can’t wait to watch you shine on this exciting journey,” the post exclaimed. On winning this coveted crown, Mikey expressed, “I am so humbled, honored, and overwhelmed in the best possible way. It definitely took a village to get me here. I am certainly riding the high of winning the 2025 Mister USA. My next stop is Mister Universe.” Photography by Crystal Smiley Advocacy As part of his advocacy, Mikey wants to address becoming a first generation Asian-American man because it is extremely important from the culture that he was brought up with. His goal is to present it well. “I was raised by my mother the majority of my life, so I understand what it’s like to have an emotional perspective yet at the same time teach myself how to be a man, which is really important about being Mister USA,” he said. “I think men’s mental health is also important,” he underscored. “Especially from a self-exploration of who we are trying to become, which is the best version of ourselves.” Mikey thanks all his fellow finalists Ever-gracious, Mikey went on to thank every single finalist (who subsequently became a friend and brother for life). “I got here with the help from my village. This means a lot to me but I can’t express how grateful I am to have been with many guys who are just as worthy,” Mikey said. Mikey expressed, “This one’s for the guys: If I truly am the one chosen from the group – I’m taking perseverance of heart from Louisiana, motivation from Virginia, youthful fun from Wyoming, big brother Wasian lessons from Colorado and Washington, cowboy with white shoe energy from Arizona, mechanical bull riding energy from Florida, social media skills from Ohio, crazy 2am spontaneity from Tennessee, chest day energy from Oregon, good guy energy from Alabama, Day 1 loyalty energy from Hawaii, humble and happy to be here energy from New Mexico, gym beast energy from Iowa, self-care energy from New York, positive kindness from California, armpit pic energy from Indiana IYKYK, superhero build energy from North Carolina, southern loving energy from Oklahoma, primal build energy from Utah, piano lessons from Connecticut, blue lives matter from Nebraska lmao Breh, Liam vibes from Minnesota, funny and easygoing energy from South Carolina, and the full commitment to trump impression energy from New Hampshire – to my game for Mister Universe.” “Trust me boys, these guys aren’t going to know who they’ve met after I incorporate these qualities into my game,” he promised. Congratulations once again to Mikey Chadwick on his 2025 Mister USA win. Hopefully, this is a harbinger for more great things to come from him in the future. As they say, the sky’s the limit. To learn more about Mister Universe USA Mikey Chadwick, follow him on  Instagram .

Photography: Francesca Cardoza Sofia Pellegrino is a figure who defies the traditional starving artist archetype, blending the fiery ambition of an entrepreneur with the raw, emotional vulnerability of a method actor. While many wait for the phone to ring, Pellegrino has spent her career building the foundation - quite literally - of her own empire, operating as a successful real estate broker and business owner while simultaneously carving out her space on the screen. Her story is one of relentless momentum, a global perspective that infuses her work with culture and heart, and a refusal to compromise on her vision of telling bold, emotionally driven stories that spark conversation. Photography: Francesca Cardoza Her artistic foundation is built on rigorous training and a deep respect for the craft. An alumna of the National Conservatory of Dramatic Arts (NCDA) in Washington, D.C., Pellegrino honed her ability to deconstruct human behavior, a skill she further sharpened at the prestigious Stella Adler Studio of Acting in Los Angeles. This duality of East Coast discipline and West Coast imagination informs her performances, allowing her to navigate complex emotional landscapes with precision. She has already proven her multifaceted talent by writing, directing, and starring in The Last Cry , a film that explored the harrowing journey of domestic abuse and recovery, earning her accolades such as "Best First-Time Director" at the NJ Brightside Film Festival. That film established her as a storyteller unafraid of the dark, willing to shine a light on human resilience and personal transformation. Photography: Francesca Cardoza Now, Pellegrino is poised to capture the industry’s attention once again with her latest and perhaps most intriguing project to date. She has recently wrapped filming on Happy Wife, Happy Life , a title that suggests domestic tranquility but, in true Pellegrino fashion, promises something far more layered. In this new film directed by Willie Padin , she delivers a psychologically charged lead performance, inhabiting a character described as both complex and commanding. This role marks a significant evolution in her repertoire, showcasing her ability to carry a narrative that likely subverts the clichéd expectations of its title. It is a testament to her growth not just as an actress, but as a creator who understands that the most compelling stories are often found in the tension between public perception and private reality. Photography: Francesca Cardoza Beyond the camera, Pellegrino’s life is a masterclass in modern luxury and empowerment. She is not merely playing the part of a boss; she is one. As a real estate broker and business owner, she has curated a lifestyle brand rooted in motivation, proving that financial literacy and artistic integrity can coexist. Whether she is closing a high-stakes deal or delving into the psyche of a new character, her mission remains singular: to inspire, uplift, and bring awareness through action. In a town of dreamers, Sofia Pellegrino is the rare doer, a woman who brings a global perspective to her work and whose latest performance in Happy Wife, Happy Life  is set to cement her status as a formidable force in the new Hollywood landscape. Photography: Francesca Cardoza You can follow Sofia Pellegrino on Instagram , IMDb .

photography by Dexter Brown American author, speaker, and leader John C. Maxwell once said: “Dreams don’t work unless you do.” This quote applies to Sam Myerson. Aside from being an actor, he is also a model and screenwriter, who is working on his own scripts for future projects. Vertical Dramas On starring in vertical dramas, Myerson said, “It has been great! The whole past year has been phenomenal. This industry has been flipped upside down and no one could have really anticipated that.” “In terms of where the quality is going, I am pleasantly surprised with the type of content that is being produced,” he said. “I think from now until possibly the end of next year, we are going to see another huge leap of content.” Photography by Emma Jane “We are already seeing the massive companies that are coming down and playing in the field,” he said. “After having worked with all of these different apps and companies, I feel I am in a great position.” ‘A Carpenter Christmas Romance’ Last year, Myerson was a part of the Lifetime holiday film “A Carpenter Christmas Romance” where he starred opposite Mitchell Slaggert and Sasha Pieterse. “That was fun! I had a small part, but it was good though. We had a great director. I just came in for a day and filmed that,” Myerson said. New Holiday Movie in the Works On his new holiday film that he is shooting, Myerson remarked, “The new holiday movie that I am filming now ‘A Christmas Drawn Together’ on the East Coast will be a much longer part because I am playing one of the male leads.” “It’s a really sweet movie, and so far, we are doing it independently,” he hinted. Sam Myerson — The Screenwriter Myerson is a writer in his own right. “I have been writing since I was 12 years old, and now, I’m trying to elevate the content with my own original content,” he said. “That’s where I am at right now. I just finished a really fun piece and we are shopping it to different apps,” he elaborated. “Hopefully, people will see it next year. It will be a fun one,” he hinted. Photography by Brian Kaminski ‘The Bold and The Beautiful’ Experience Myerson recalled his experience being a part of the hit CBS daytime drama “The Bold and The Beautiful.” “That was a really great experience,” he admitted. “Funnily enough, when I went in for my callback, I was in the elevator going up and there was a really pretty girl in the elevator with me.” “I didn’t watch the show, and she asked me what I was doing. I told her I was there for a callback. She was nice and wished me ‘good luck.’ Little did I know that was Jacqueline MacInnes Wood in the elevator, and she wound up being my scene partner.” “When I got the role, and I was on set, I told her, ‘It’s you!’ This is awesome.’ So, we became friends, but I was bummed that the role didn’t turn into something more lucrative,” Myerson noted. Photography by Brian Kaminski “I’ve read for a bunch of other soap operas but it’s just about finding the perfect fit,” he added. The Digital Age On being a part of the digital age, Myerson remarked, “It’s great. It’s so cool to not know what next month is going to look like.” “Now, I am filming in Ohio, but then, at the beginning of the year, it’s great to not know what I’m going to do. It’s great that I don’t have to be stuck on a specific project for multiple months at a time,” he explained. “Obviously, the ultimate goal is to do these big studio films, great guest spots, and great series regular roles. In the meantime, I’m having a blast doing what I am doing now. What more could I ask for?” he elaborated. Mental Health in the Digital Age Myerson addressed the importance of mental health in the digital age. “It’s extremely important,” he underscored. “I’ve never been a fan of social media.” “I can’t deny that you have to do it. So, I’m a big proponent doing what you need to do. It’s part of the business. I love using my Instagram, Facebook and TikTok as a safe, fun space,” Myerson said. “I do shy away from anything that divides people. I want people to come to my social media pages just to have a laugh and have a good time a form of escapism,” he noted. “During the pandemic, I used my TikTok to get some of my creative juices flowing. That’s when I started doing the comedic sketches, where I would play both characters with anything that came to mind, and people thought I was funny. That took off really, really fast and unexpectedly,” he elaborated. Photography by Mariah Moss “Do I think social media is healthy? No, but it’s necessary. So, I use it, and it has provided me with tons and tons of opportunities. It gave me the chance to work with some great people and some incredible companies and brands,” Myerson added. Stage of His Life On the title of the current chapter of his life, Myerson revealed, “Going with the Flow.” 2025 Vertical Festival ‘VertFest’ in Los Angeles Myerson enjoyed being a part of the 2025 Vertical Fest (VertFest), which was held in Los Angeles, California, on August 30th and 31st. “I had such a fun time doing the VertFest,” he exclaimed. “It was nice to see the fans face to face, and get the chance to chat with them.” “There were one-on-one chats with the fans and group chats with them… overall, it was a really fun experience,” he admitted. “At VertFest was where I met the ‘Vertical Godmother’ Jaxx, and she is so sweet!” Photography by Mariah Moss Success Regarding his definition of the word success, Myerson shared, “Honestly, success means going to work excited and happy. That’s really my main goal.” “Success is being happy, comfortable, and creative and just working with good and kind people. If I am doing all of these things, then I am super successful,” he acknowledged. “When people come up to me and they tell me that they liked my movies or my vertical dramas, then I am extremely happy,” he said. “Also, if I can finish a script that I wrote and bring it to fruition, then that’s a success to me as well. That’s just fun,” he added. Message for His Fans For his fans and supporters, Myerson said, “There is no success without the support from the fans. They are the reasons that producers look to you and want to cast you. They are a huge part of it.” “The producers are looking for a viable option to push the film, and that has everything to do with the fans,” he noted. “So, if we don’t have the fans, then realistically, we don’t have anything. I try to tell the fans as much as possible how thankful I am for them because they make everything possible,” Myerson said, effusively. To learn more about Sam Myerson, follow him on Instagram  and  TikTok .

There is a certain stillness that exists inside the work of Allen Brown II. It is not silence. It is intention. Every frame, every line of dialogue, every pause between moments carries a sense that what you are watching was not rushed. It was considered. It was protected. It was chosen. With the January 25 launch of Fang Jackson and the debut of his creator owned platform LLOID, Brown is not simply releasing a period drama set in 1945 San Francisco. He is unveiling a philosophy. One rooted in legacy, responsibility and a deep belief that stories deserve to live outside of systems that dilute their meaning. LLOID stands for Let’s Live On Intelligent Designs. To Brown, the phrase is both a challenge and a compass. It represents his commitment to tell real and raw stories while remaining conscious of who they are meant to serve. He intentionally avoids reliance on shock value, excessive profanity or empty spectacle. Instead he focuses on content that captures attention through substance. For him, true storytelling should elevate rather than exploit. Set in a San Francisco that existed long before modern algorithms, the series draws from the oral history passed down by Brown’s grandfather Mibby and his cousin Massio. Their stories shaped Brown’s understanding of manhood, resilience and survival. Though some of the lessons came from harsh realities, they are part of the lineage that formed him. That era allowed Brown to explore a simpler but emotionally richer world. One where influence and legacy were taught face to face and not through screens. At its heart, Fang Jackson is about family. It is about those who supported Brown long before he ever stepped behind a camera. It is also about the people he lost along the way. The unexpected passing of close friends and family deeply impacted him. Many of the characters in his films are inspired by real individuals he loved. Through storytelling, Brown preserves their essence. He has described moments of directing where emotion overtook him as memories of conversations returned. Promises of future collaborations that life never allowed to happen. Film became the place where those promises could still live. This emotional depth is why Brown gravitates toward the quiet spaces between power and vulnerability. He believes that spectacle fades but substance remains. Growing up with a domineering father taught him vulnerability. Learning to forgive himself and others gave him power. That internal journey now defines his creative voice. His goal is not fleeting attention. It is legacy. He wants his work remembered for generations without exploiting pain or social fractures. LLOID was built to protect that philosophy. Instead of relying on free ad driven platforms, Brown chose a subscriber supported direct to audience model. This decision shields his stories from being reshaped by marketing priorities that value profitability over authenticity. It allows his content to remain honest. Uncompromised. His infrastructure is not just a streaming channel. It is a foundation for creators who lack access, finances or industry connections but possess stories the world deserves to see. Film remains his root. He often compares scriptwriting to the roots of a tree. If roots are neglected, branches cannot grow. His belief that film must always come before platform ensures that growth remains grounded in story and not trend. A defining moment in Brown’s life came when he lost his eye in adulthood. Becoming part of the monocular society reshaped his relationship with time and purpose. He realized how quickly life can change and recommitted himself to living fully through his passion. Recovery became a period of clarity. He was reminded that tomorrow is unknown and that today is now. His work became not just creative expression but a responsibility to inspire others to become survivors rather than victims of circumstance. With LLOID now live, Brown approaches future projects with humility. He sees his self built infrastructure as both a reminder of accountability and a reflection of gratitude. Success does not come without responsibility. It must be honored. For creators who feel trapped by algorithm driven systems, Brown offers reassurance. He believes there is always a pathway forward. Challenges shape creators when they are willing to learn from them. Independence, to him, is making decisions guided by purpose rather than financial survival. It is choosing authenticity over convenience. When audiences leave the Fang Jackson screening on January 25, Brown hopes they carry curiosity with them. He wants them to discuss the trials the characters endured. To compare the world of 1945 with the world of today. To feel invited into a story that is both historical and deeply human. His ultimate vision for LLOID is simple and powerful. He wants it to become a home for content created for the heart rather than the chart. A platform built on hope. For creators. For viewers. For investors who believe that meaningful storytelling still matters. In an industry driven by speed, Allen Brown II has chosen stillness. In a system driven by metrics, he has chosen meaning. And in a world chasing algorithms, he has chosen legacy.

Kendrick Lamar (Photo: Sonja Flemming) With Lady Gaga ( Photo credit: Frank LeBon) As a composer, I get that same electric, heavy anticipation every time I look at the Grammy slate. It’s unavoidable. We’re heading into the "Last Dance" at the Crypto.com Arena, and let’s be honest: the Academy isn't just voting on songs this year; they’re voting on the future architecture of the industry. I’ve spent the last few weeks analyzing the stems of this year’s narratives-trying to strip away the marketing reverb and hear the dry signal of where the votes are actually going to land. This isn’t about who I’d sign to my label or who I’m blasting in the car on the way to the studio. This is an estimation of how the voting bloc-the engineers, songwriters, and producers like me-are actually going to mark their ballots. We’re looking at a year where the language barrier finally shatters, hip-hop takes its throne back, and an animated K-Pop group might just out-write the biggest stars on the planet. Album of the Year When I listen to Bad Bunny’s Debí Tirar Más Fotos , I don’t just hear a hit record; I hear a production masterclass. The team, led by MAG and Tainy, built a sonic landscape that feels expensive, lush, and historically significant. It proves that great production doesn't need a translator. Then you have Kendrick Lamar’s GNX . For a producer, this album is a dream in terms of arrangement. The layering is dense, musical, and a perfect lesson in building tension and release. On the pop side, Lady Gaga’s Mayhem  is a beacon of industrial brilliance. Andrew Watt and Cirkut delivered a mix that is polished to absolute perfection, showing off Gaga’s ability to constantly reinvent the form. My Prediction: Bad Bunny – Debí Tirar Más Fotos Kendrick Lamar – GNX Lady Gaga – Mayhem Record of the Year Remember, this award is for the technical achievement-the compression, the balance, the "glue" of the track. Kendrick Lamar’s "Luther" is the one making every engineer in the room nod their head. With SZA on the feature, the production bridges organic instrumentation with modern fidelity in a way that feels warm and timeless. Lady Gaga’s "Abracadabra" is a massive competitor simply because the engineering is flawless. It punches through the speakers with the kind of clarity and dynamic range that pop radio demands. Bad Bunny’s "DtMF" offers a rich, textured sound design that wraps around the listener. It’s a sophisticated use of space that sets a new bar for urban production. My Prediction: Kendrick Lamar & SZA – "Luther" Lady Gaga – "Abracadabra" Bad Bunny – "DtMF" Song of the Year This is about the bones of the track-melody and lyrics. "Golden" from the K-Pop Demon Hunters  soundtrack is the standout for me purely for its compositional intelligence. Songwriters like Mark Sonnenblick and EJAE used leitmotifs that weave through the film's score to represent "togetherness," doing heavy narrative lifting while still being a catchy pop anthem. That is hard to do. Billie Eilish’s "Wildflower" is equally stunning. It’s got that raw, emotional vulnerability and melodic phrasing that proves why she connects so hard with listeners. Kendrick’s "Luther" is also a contender here because of the lyrical density. He turns intricate storytelling into an accessible piece of art, which is rare. My Prediction: Huntrix – "Golden" (from K-Pop Demon Hunters ) Billie Eilish – "Wildflower" Kendrick Lamar & SZA – "Luther" Best New Artist I always look for the "musician's musician" in this category-the artist who can do it all. Leon Thomas fits that description perfectly. He’s a producer and songwriter who has paid his dues writing for major stars, and his solo work on Mutt  shows a level of control you rarely see in a debut. Olivia Dean brings a beautiful, soulful texture to the mix; her vocal control appeals to anyone who values pure, organic talent. Then there’s KATSEYE, who represent the pinnacle of pop polish. They execute their vision with a precision and charisma that screams "future star." My Prediction: Leon Thomas Olivia Dean KATSEYE Best Pop Vocal Album This category is for the albums that defined the radio. Sabrina Carpenter’s Man’s Best Friend  is easily the cleanest pop production of the year. Jack Antonoff’s work here is surgical. Every hook is placed to trigger a dopamine hit, and the vocal stacking is pristine. Lady Gaga’s Mayhem  offers a more experimental edge, pushing the boundaries of what a pop album is "allowed" to sound like. Justin Bieber’s Swag  is a masterclass in modern R&B-pop fusion. The vocal production alone reminds everyone why he’s still one of the most compelling vocalists in the game. My Prediction: Sabrina Carpenter – Man’s Best Friend Lady Gaga – Mayhem Justin Bieber – Swag Best Pop Duo/Group Performance Collaboration is an art form, and "APT." by ROSÉ and Bruno Mars is a lesson in chemistry. It feels vintage yet hyper-modern, and the vocal production just radiates joy. "Defying Gravity" by Cynthia Erivo and Ariana Grande is a powerhouse. Both singers deliver a level of theatrical perfection that is undeniable. "Golden" by Huntrix offers intricate harmonies and a group dynamic that translates the energy of the film perfectly. It shows just how well voices can blend to create a unified sound. My Prediction: ROSÉ & Bruno Mars – "APT." Cynthia Erivo & Ariana Grande – "Defying Gravity" Huntrix – "Golden" Best Rap Album Kendrick’s GNX  is getting universal acclaim because the production actually matches the weight of the lyrics. Tyler, The Creator’s Chromakopia  is inventive and weird in the best way. He uses synths and arrangements that are genuinely surprising. Clipse’s Let God Sort Em Out  is a triumphant return. The production feels nostalgic but fresh, highlighting that legendary interplay and lyrical sharpness. My Prediction: Kendrick Lamar – GNX Tyler, The Creator – Chromakopia Clipse – Let God Sort Em Out Best Country Album The split into Contemporary and Traditional allows us to honor the full spectrum. For Contemporary , Jelly Roll’s Beautifully Broken  blends rock, soul, and country in a way that feels honest. The production accommodates his gritty vocals perfectly. For Traditional , Willie Nelson’s Oh What A Beautiful World  is a pristine example of the genre's roots, delivered by a living legend. You can hear the history of country music in every note. Contemporary Prediction: Jelly Roll – Beautifully Broken Kelsea Ballerini – Patterns Miranda Lambert – Postcards From Texas Traditional Prediction: Willie Nelson – Oh What A Beautiful World Charley Crockett – Dollar A Day Zach Top – Ain't In It For My Health HHM congratulates all the Grammy nominees.

For those who have not yet encountered the whirlwind energy of Arianna Triassi, her story is a lesson in relentless reinvention. Triassi’s career did not begin in the DJ booth, but in the digital trenches of early social media, where she started gaining public confidence at the tender age of thirteen. In an era before the hyper-curated influencer economy took full shape, she used these platforms as a genuine outlet to express her identity and connect with others. Fascinated by the dynamic between creator and viewer, she launched a YouTube channel dedicated to tutorials and advice for girls and women, a venture that went viral within two years and introduced her to a massive audience. However, the digital applause was not enough; she craved a more complex challenge and found herself toying with the idea of creating a polarizing persona, a decision that would eventually lead her to national television. While Triassi recalls her reality TV debut occurring earlier, records confirm that her pivotal moment came in 2017 when she joined the cast of the second season of the docu-reality series Il Collegio  on Rai 2. Set in 1961, the show stripped participants of modern luxuries, and it was here that Triassi executed a deliberate strategy to test the audience’s sympathies. Rather than seeking universal adoration, she aimed to be almost "hateful" to the viewers at home, challenging herself to see how an extravagant personality could divide public opinion. Yet, even as the cameras rolled, a different ambition was taking root. She had already begun her musical education, studying piano, singing, and diction, initially believing that a well-rounded showgirl needed to master every facet of entertainment. It was during this intense period of study that the trajectory of her life shifted irrevocably. Triassi realized that music possessed a unique power to alter her mood and influence her state of mind in a way that television could not. The allure of the screen faded as music became the center of her existence. She immersed herself in listening and increased her study hours, specifically focusing on the art of the DJ at institutions like the Camp Academy, where she began her training in 2016. However, the path was not linear; feeling blocked and withdrawn, she made the unconventional choice to leave the spotlight and work as an entertainer in tourist villages. This grounding experience proved crucial, restoring her confidence in face-to-face communication and sharpening the social skills that would soon become her greatest asset. When she returned from that season in September, she was ready to conquer the airwaves. Triassi offered her services to the Radio Kiss Kiss group, eventually securing her own three-hour daily show as a speaker for Radio Ibiza. This role as a "radio explainer" allowed her to blend her communicative flair with her musical passion, yet her hunger for more remained unsated. Seeking a deeper connection with the live crowd, she joined forces with the collective known as the "Latin House Gang," effectively a band that organized club nights. The gamble paid off, and soon her name was plastered on club posters across Italy. Today, Arianna Triassi has successfully shed the skin of the reality star to emerge as a formidable force in the global electronic music scene. She returned to television briefly as a commentator for Mediaset, but her primary focus is now music production and sound engineering - a field she studied with the same intensity she once applied to her YouTube channel. Her perseverance has led to collaborations with international artists and a specialized focus on Latin House and Tech House genres. Now touring the world, she stands as a testament to her own belief that one should never settle. For Triassi, the sacrifices required to achieve her goals are merely the price of entry for the satisfaction of succeeding through one’s own strength and sweat. You can follow Arianna Triassi on Instagram .

Markos Papadatos interviewed award-winning actor Erik Fellows (“Purgatory”) about starring in the new vertical drama “Falling for My Ex’s General Dad,” and being a part of the digital age. He also opened up about being a part of “Law & Order: Organized Crime” on Peacock. How was the drama ‘Falling for My Ex’s General Dad’ for you? It was one of those rare jobs where everything clicked. The script balanced romance, awkward comedy, and real emotional stakes, so every scene felt purposeful. Shooting in the vertical format also changed the rhythm — scenes were often more intimate, with smaller beats and tighter reactions, which forced us to find truth in close-up moments. Off camera, the cast developed a shorthand quickly; that trust let us play, improvise, and push scenes further than we expected. By the end of the shoot, I felt like we’d built a tiny, intense family — and that energy translates on screen. What did you like most about your character? He’s not a caricature — he’s messy and sympathetic. On paper, he’s the controlled type: measured, precise, used to leading. But as the story unfolds you see his defenses crack. I loved getting to play both sides: the calculated exterior and the insecure, sometimes goofy inner life. There are comedic moments where timing is everything, and quieter beats where you see the cost of that control. That contrast gave me the best of both worlds as an actor — physicality and subtlety — and it’s what makes him feel real. How does it feel to be part of the vertical drama world? It’s invigorating and creatively challenging. Vertical series aren’t just TV in a different aspect ratio — they demand different acting choices. The camera is closer, story arcs are often faster, and audience attention is immediate. That means micro-expressions and economy of movement matter more; you can’t hide behind grand gestures. The payoff is huge: vertical platforms reach people where they already are — on their phones — and you can connect with viewers in short, potent bursts. For actors, it’s an opportunity to experiment with pacing and intimacy in ways traditional formats don’t always allow. How was your recent experience on ‘Law & Order: Organized Crime?’ It was a masterclass in professionalism and intensity. Stepping into the Law & Order world is like stepping onto the field with the best of the best — everything moves fast, everything matters, and everyone is operating at the highest level. Working with Mariska Hargitay and Christopher Meloni was an incredible experience. They’re not just iconic performers; they’re generous scene partners who bring honesty and presence into every moment. Watching them work up close — their focus, their rhythm, their instinct — is something you carry with you. Shows like this demand clear choices and emotional truth, and being surrounded by that level of talent pushes you to elevate your own work. It’s the kind of set that makes you better simply by being there. How does it feel to be part of the digital age? It feels exciting but demanding. We have more ways than ever to tell stories and to build an audience, which is empowering. At the same time, attention is fragmented and the industry moves fast — trends shift, formats evolve, and the career path isn’t linear anymore. For artists that means more control over your narrative if you take initiative: create content, engage directly with fans, and think like both actor and storyteller. The digital age rewards hustle and creativity, but it also asks you to be nimble and consistent. What is your advice for young and emerging actors? Get practical and get persistent. Train — not just acting classes, but on-camera techniques, audition prep, and cold-reading. Build a routine: weekly training, networking, and creating work (self-tapes, short films, scenes). Treat rejection as data, not destiny — analyze what you can improve and keep moving. Also, learn the business side. Know how to market yourself professionally and how to protect your time and energy. Finally, be kind and reliable on set; reputation travels faster than talent alone. What does the word success mean to you? Success is cumulative and personal. It’s not a single trophy but a series of moments where your values, growth, and craft align. For me, that looks like choosing projects that challenge me, sustaining work that allows me to keep creating, and maintaining relationships that matter. A truly successful day is one where I felt challenged, learned something new, and knew I gave the scene everything I had. Outside of work, success is having the bandwidth to be present with the people I care about — that balance is everything. What would you like to say to your fans? Thank you — really. Your messages, shares, and energy are the fuel behind everything we do. I read what you send when I can, and it means more than you might think. Keep telling your friends about the shows you love, keep being honest about what moves you, and know that your support allows creators to take chances. I’m grateful for this journey, and I can’t wait to share what’s next. To learn more about actor Erik Fellows, follow him on Instagram , IMDB .

Markos Papadatos interviewed Australian firefighter Ricky Smith about the recent Bondi Beach shooting, as well as the 2026 Australian Firefighters Calendar. “I’m on the Sunshine Coast in Queensland, so I’m about an hour north of Brisbane,” he said. Bondi Beach shooting “It was very shocking,” Smith said about the Bondi Beach massacre. “It was a big surprise. It was pretty devastating. I’ve got some friends that are Bondi lifeguards, so it was amazing to see what they did and how they stepped in.” “It was amazing to see how the community stepped up. It was definitely a tragedy,” Smith acknowledged. “I think the best way for people to help at the moment is just to support each other and they’re also saying about giving blood, but they need a lot of blood donations at the moment,” Smith elaborated. “So, a lot of people going down and becoming blood donors or giving blood to support those that need a lot of blood. So, yeah, that’s a really big way you can help at the moment,” he added. Australian Firefighters Calendar The Australian Firefighters Calendar is a proud Australian owned and operated company. Although they are not a charity, the public’s support of their brand has helped them donate $3.5 million to both animals and people in need since 1993. On being a part of the 2026 Australian Firefighters Calendar, Smith said, “It feels amazing. It’s great! It always feel good to be a part of. It was a great bunch of guys again. It has been really fun. We’ve had some trips out of it. So, the calendar has been yet another wonderful success.” “In doing this calendar once again, we’ve managed to help a lot of charities this year, so that always feels really good,” he exclaimed. “This is my fifth year as a firefighter and I’ve been firefighting for 10 (almost) years. The years go by so quickly.” Regarding his daily motivations, he said, “I think just getting up, enjoying what you do, enjoying the work, being able to know that you’re going to be able to help people, going to work to help people and just enjoying what you do.” “Firefighting is fun,” Smith admitted. “You get to work with a good bunch of guys every day. It’s different. So, it’s never stagnant or stale and you get to help people along the way.” On his overseas trips with the calendar, he said, “They were amazing! It’s good to see the charities that we support firsthand. We always go overseas and support some charities. So to see some money handed over and where that goes to is, it just adds another level. It’s absolutely amazing.” Future plans Regarding his future plans, he shared, “To just keep firefighting, and to keep enjoying life. I’ve just signed up to do some tech rescue at work, which means sort of like swift water rescues and vertical rescues. So, I might need to take a course in March to become swift water rescue qualified. I’m looking forward to that.” “Technical rescue encompasses swift water rescue, vertical rescue, urban search and rescue and sort of confined space rescue. It’s just a few more specialized courses and things you can do on the truck, which is cool,” he said. “I’m just going down that path, I’m just upskilling, and really learning. So that’s the plans for the future at the moment,” he noted. Stage of his life On the title of the current chapter of his life, Smith revealed, “The Next Phase.” “I’m getting to that age where things are changing,” he said. “I’ve got a partner now and I’m sort of settling down a bit more and just enjoying that phase of life. I’m getting older, but enjoying that phase,” he explained. Success On his definition of the word success, Smith said, “Success means just being happy. I think as long as you’re enjoying life to the fullest every day and as long as everyone’s happy, you’re happy and you’re having fun, I think that’s success.” Message for fans and supporters of the Australian Firefighters Calendar For fans and supporters, Smith said about the Australian Firefighters Calendar, “Thanks so much! It’s amazing the support that we get. It’s amazing that everyone gets behind it and charities are helping as well. It’s amazing. We always really, really appreciate it.” “The fans can get to look at some amazing animals,” he exclaimed. “They also get to look at some good-looking firefighters, so I hope they enjoy that, but I hope what they get out of it is that they’re making a difference.” “The money that they pay for the calendar also goes to charities, so it’s nice for them to know that they’re making a difference in the world as well and helping out lots of peop le and lots of animals,” Smith concluded. To learn more about Ricky Smith, follow him on  Instagram . For more information on the 2026 Australian Firefighters Calendar, visit its  official website , and follow its  Instagram page .